As Gunnery Sergeant Tom Highway, Eastwood portrays basically the Marine Corps version of himself; ornery, tough and bitingly sarcastic. Charged with turning a unmotivated and poorly trained platoon of Recon Marines into "life takers and heart breakers," there's also a B-plot about his personal life and his impending mandatory retirement, but really the movie is just an excuse to get him to insult his Marines and eventually take them into Grenada. Though the movie is riddled with inaccuracies, it is beloved by Marines, young and old, those who recognize themselves and their friend in the characters as well as those who become nostalgic for 'the old Corps.'Firstly, the most glaring and obvious error to any Marine is the location of the film. Highway's unit is part of Eighth Marines, Second Marine Division. I was assigned to Third Battlion Eighth Marines, Second Marine Division, stationed in North Carolina. Heartbreak Ridge is very clearly filmed on location in location at Camp Pendleton, California (where I was in fact born) and even had the support of the Marine Corps. They later withdrew support upon seeing the film because of the language. The dialogue rings true for Marines, as almost everyone has known either an old timer like Eastwood's Highway (I don't know how many times I heard the 'few good men..you ain't it' joke when I was in), inept Lieutenant Ring or frustratingly idiotic Major Power. The film has even been cited as one of the great recruiting films for the Marine Corps. Recruits took comfort in the fact that if they had someone like Gunny Highway leading them into combat, they would make it home to a warm reception. As for myself, I always considered Tom Berenger's appearance in Born on the Fourth of July as my inspiration for enlisting but that's another blog. Historically, Heartbreak Ridge did actually exist in Korea, which was a major victory for the Army, explained in a toss away line from Sergeant Major Choozoo the he and Highway joined the Corps later. And while the Marines did invade Grenada, it was an Army Ranger unit that took the University Medical School.
But, the movie is directed by Eastwood and shines on his star power alone. You actually believe him when he tells everyone that he's "drunk more beer, pissed more blood, banged more quiff and busted more ass than all of you numbnuts put together." His colorful language, trademark voice and cadence and subdued acting style made Heartbreak Ridge one of his signature roles in a long and distinguished career. And if you ever meet him in real life, and I have, find the courage that I couldn't and call him a "big leatherneck jarhead mother fucker."
View the original article here
This post was made using the Auto Blogging Software from WebMagnates.org This line will not appear when posts are made after activating the software to full version.
Unfortunately, I was the one covered in the proverbial shit.
20. Revolutionary Road (2008)Some movies leave your memory almost as soon as you leave the theatre, but Revolutionary Road is a film that stays with you long after you finished it. Hypnotizing you with the beautiful imagery of the “Mad Men” era, (the television series was based on this book), the more in depth you get into the lives of Frank and April, the more crushing it becomes when their world falls apart. And yes, this was Kate Winslet’s best performance of that year. 
19. No Country For Old Men (2007)Not only did No Country make me go back to back with my Best Picture predictions, but also it was one of the most serious films about violence and the human psyche ever made in America.Though I have heard some crazy theories about the film, (not the least of them being that Javier Bardem’s character didn’t actually exist, but he was a figament of Tommy Lee Jones’ character’s imagination, allowing HIM to commit these killings.) I really admire Josh Brolin’s performance above all of the others.
18. The Bourne Supremacy (2004)The reason I chose the second Bourne movie over any of the other two is basically because I feel that in the second installment, Jason Bourne has an emotional drive throughout the film that’s not necessitated by survival, but simply by revenge. Yes, Matt Damon kicks ass in all three movies and the Greengrass films are probably superior to Liman’s, but in Supremacy, the origin story is out of the way and we simply watch as Jason Bourne does what Jason Bourne was made to do.
17. Volver (2006)One of Almodovar’s best films ever and probably Penelope Cruz’s best performance ever, the film took elements of Hitchcock, a brilliant color palette and of course, a love of cinema to make what appears to be an ethereal story about life into a simple story of family and love. And of course, it opened up Cruz to a better range of roles and we’ll all better off for that.
16. Mulholland Dr. (2001)With the exception of Memento, no other film this decade played more with the narrative structure of a story than Mulholland Dr. David Lynch reminds audiences why every movie he makes is required viewing and the pairing of Naomi Watts and Laura Elena Harring has been written about ad nauseam, but they are one of the best on-screen couples of all time.
15. Brokeback Mountain (2005)Beautiful. There is no other single adjective to describe this film than that. In terms of visuals, emotions, acting, dialogue, casting and everything else that went into the making of this movie, Ang Lee crafted a film that was so moving and so profound that many people had no choice to ignore it, rather than look inside of themselves and let the film affect them. People will still be watching this instead of reruns of ‘Crash’.
14. Y Tu Mama, Tambien (2001)One of three foreign films on this list, Y Tu Mama was a huge success in Mexico and a moderate success in America, but it really opened the door for director Alfonso Cuaron (who will appear later on the list) as well as Diego Luna and Gael Garcia Bernal. But, the reason is was so successful it that it was a very touching coming of age story ably told by great acting and wonderful direction.
13. Chicago (2003)Amongst all the musicals of the decade, there may have been a few I enjoyed more, but Chicago was simply a much better made film than all of them. It opened the door for the new wave of Hollywood musicals while showing shades of the Golden Age musicals and keeping in touch with its roots as a Broadway production. And in case you’re like me and had a hard time paying attention to MORE than Catherine Zeta-Jones, Richard Gere and John C. Reilly are criminally unappreciated for their supporting roles.
12. The Incredibles (2004)This is the only Pixar movie on my list, the only cartoon and without out a doubt the best superhero movie (Batman and Iron Man have NO superpowers) of the decade. Spinning the classic superhero genre and comic book setting of retro future by placing the heroes in a litigious, ignorant world that too closely resembled our own, The Incredibles became an instant classic that could be enjoyed by everyone in your family, even when inspiring obnoxious criticism such as this. Oh yea, and with only about five minutes of screen time, Edna Mode goes down as best supporting character of the 2000’s.
11. Gangs of New York (2002)Martin Scorsese’s labor of love that was considered an impossible project for more than twenty years finally came to pass in 2002, following closely on the heels of the attacks of 9/11. While it certainly remained in many viewers’ minds as they watched, most could not ignore the sheer magnitude of Scorsese’s biggest film ever. Though the film is far from perfect and had a large contingent of critics who were jumping to point them out, even they could not deny the scope of Scorsese’s vision. Huge sets in Rome, Leonardo DiCaprio and Daniel Day-Lewis, and a long running time that garnered a lot of media attention were just a few of the elements that helped the movie earn 10 Acadeny Awards nominations and helped re-establish Scorsese as a master filmmaker after a couple of flops, which in turn would lead him to make the movies that follow this one on the list. Personally, this movie helped me rediscover the magic behind making movies and I became fascinated with everything from the cinematography to Day-Lewis’ accent.